time
My downfall is time: listening to recordings of myself, I notice that my timing can be random and erratic, often dragging, but sometimes rushing too. Probably the worst I've heard on record! I'm failing at my goal, to maintain a groove and a tension that propels the song forward.
The only thing I know to do is to practice with a metronome, and be more conscious of the beat when I play. Do you all count eighths or sixteenths in the back of their head while playing? I would rather not have to think about it consciously while I play... I should have internalized this stuff when I was a little kid!
The only thing I know to do is to practice with a metronome, and be more conscious of the beat when I play. Do you all count eighths or sixteenths in the back of their head while playing? I would rather not have to think about it consciously while I play... I should have internalized this stuff when I was a little kid!

Comments
Me? I practice with a metronome and if I need to, I'll count quarter notes and occasionally eighth notes. Practicing with a metronome at a reasonable slow tempo will improve your time greatly but that's assuming technique isn't the issue.
Eliminate technical challenges by playing a low open E to a metronome - quarter notes, sixteenths, eighth note triplets etc and move up the open string series for variation. This exercise is all about time and not chord grip challenges. I improved my execution and understanding of rhythm by playing open strings to Ted Reeds book "Syncopation for the Modern Drummer".
And last but not least- when you practice rhythms - try to relax and tell yourself occasionally - "Relax". No good dancer is uptight! ha ha
As you've experienced - the other thing that helped my time is playing and recording rhythms on my Boomerang looper. Upon playback, one can get a 20/20 insight into strengths and weaknesses.
Have a great day- Jim
It's hearing myself on recordings that has made me realize how bad my time is. I don't know why I didn't hear it the same way while I played it. I know people are able to deliberately play on top of the beat, behind the beat, and swing any direction they want to, whereas I'm usually just trying not to totally lose the beat...
Have you ever heard anyone and thought "great tone, interesting melodic playing, but.. too bad about the spastic rhythm"?