Fender '68 silverface princeton reissue?
Rumors on the forums, about Fender going to bring out 3 silverface models.
One of them is a princeton.
http://www.ebay.com/itm/Fender-68-Princeton-Reverb-Re-Issue-BE-THE-FIRST-TO-HAVE-IT-FAST-SHIP-/121166595430?
One of them is a princeton.
http://www.ebay.com/itm/Fender-68-Princeton-Reverb-Re-Issue-BE-THE-FIRST-TO-HAVE-IT-FAST-SHIP-/121166595430?

Comments
http://www.tdpri.com/forum/amp-central-station/425148-well-ok-bring-silverface-reissues.html
I recently had some silverface amps on my radar, as naturally Jim's playing had sparked my interest. I have been very happy with my tweed reissue, but the blackface reissues don't seem to be as popular as a vintage one. Silverface was the only one they had not reissued at the time, and considering how long they were made for I seriously questioned if that day would ever come (SFRI). I guess that day has arrived, and I'm certain Jim's high praise and smoking performances are mostly to thank for the resurgence...i'm just still not sure if it's supposed to sound like a SF or BF.
I did wind up with an old one (73) so I am more generally curious about it, and not so hot for one. love my 2010 Blues Jr Tweed NOS as well though.
I recorded my last record Dream Dictionary, mainly, with Silverface Princeton Reverb with the Celestion G-10. I think they sound great! Additionally I enjoy the no "breaking in" period. They sound good right off.
Look guys... this isn't a "state of the art" sound- When on 10, these things sound like a pig barking (in a good way!), when on 3 or 4, a nice "jazz" tone occurs, at least on my tele.
West coast amp guru Keith Reinegger recommended the Celestion to me about 12 years ago and I've been using them as an option since...
Keith Reinegger
Amp Lab
279 Dillon Ave # 1
Campbell, CA 95008
(408) 871-2422
Honestly? I FORGOT they were so affordable. Anyway, that's just me - and I know there are many fine products available.
More about speakers here...
http://jimcampilongo.com/about/gear.php
G-10...
At first, I had decided on the Weber 10F150 (which is a copy of the famous Jensen C10N), figuring it would be "correct", but now I am waffling between that and the G10.... I was thinking of waiting for Jim's new record to hear it, but ALOT of people seem to love Celestions in their PR/PRRIs.....
All reports say both the Weber 50W and the Celestion (ANY celestion) handles that quite well.
I've come to the conclusion that I must like a sound that others don't or I have an exceptional speaker.
Regards
Warren
It's all about volume. For relatively quiet home playing, that won't get you evicted, the stock speaker is fantastic. I really like the stock speaker AT HOME. But, I own a house, so I am able to crank up a little more... and as the volume goes up, that's where the stock speaker begins farting out. I think the PR was designed as a "student" amp, something for home volumes, not something for gigs. It IS loud enough to keep up with a drummer, (just ask JC), but it needs a speaker change to be capable of doing that.
But all that matters is that you love your amp, for your usage. That's the entire goal: the right amp for the right job.
For the record my gigging amp is an 80's Peavey Special which is not much like a Princeton.
Regards
Warren
So for the 15 minutes that I spend with it:
pro:
-build quality seems the same than the prri brother (without a peak under
the hood that is)
-It looks a lot nicer that on the pictures, it's a bit of a eye catcher
-the tremelo is super nice!
bad:
-sound is dark and flat.
-not a big difference in price with the PRRI.
-reverb is weak
I think the custom line of amp are for people who use their pedalboard for their sound. "JustNick" comes to the same conclusion in his YouTube review
But what about that weak reverb
Thanks
...though I vaguely remember some crackling issues with a PR reissue, but nothing that a solid kick in the side would not help, I think.